Art of the 19th, 20th, 21st Century ****************************************************************************************** * ****************************************************************************************** Chairperson: PhDr. Milan Pech, Ph.D. Lecture room: lin tea dl/ lau %23 %2F %3D %25 %25 f93 bf0 %25 %25 bf6 b11 %26 %3D joi adc ****************************************************************************************** * ****************************************************************************************** *========================================================================================= * MgA. Mgr. Tereza Vernerová Volná *========================================================================================= Title of Contribution: Academic insignia and ceremony in 20th and 21st century – spectacle, ritual, advertising University / Faculty / Institute: Academy of Applied Arts, Architecture and Design in Prague / Theory and History of Art Abstract of the contribution: The history of universities using specific ceremony, typical dress, both ritual and practi gowns and ceremony in some form are to be seen at nowadays universities all over the count Contextual approach to reflexion of the topic is still missing. We can perceive academic c contributors of the show. Insignia play various parts in such settings, from the role of s power structure linked to broader discourse where knowledge and education create essential From a different point of view, academic ceremony can be seen as a ritual originating in a in not only material or historical, but above all in symbolical importance the insignia ha to science and scientific fields themselves. The presentation of the university both to th tradition is important part of these strategies. The contribution tries to define and elaborate theoretical approach to academic insignia a *========================================================================================= * Mgr. Alice Němcová *========================================================================================= Title of Contribution: Changes in the influence of power structures on the creation of art in public space University / Faculty / Institute: Charles University / Catholic Theological Faculty / Institute of Christian Art History Abstract of the contribution: In my contribution, I want to focus on the influences that contributed to the art decorati the normalization period, on the topic of censorship, but also self-censorship. To what ex expression could be found in this system. Whether works such as Light Object by Václav Cie part of the paper, I will focus on contemporary power dynamics affecting the appearance of *========================================================================================= * Prof. Francesco Del Sole *========================================================================================= Title of Contribution: The Architectural Illusion Of Edoardo Tresoldi. The reconstruction of the Basilica of Siponto University / Faculty / Institute: University of Salento, Lecce, Italy / Department of Cultural Heritage Abstract of the contribution: In the fourth century in Siponto (today Manfredonia, Puglia – Italy), the early Christian remains of the early Christian basilica revealed the plan with three naves and a semicircu Tresoldi has carried out research on materials, history and the site, supported by a team obtained through metal wefts that intertwine in the air presumably reconstructing the orig of the architectural restoration proposed by the young artist, already named by Forbes mag further stage in the architectural life cycle: on the one hand they recount the languages the surrounding landscape. The transparency of the wire mesh offers to the viewer an exper backdrop designed to live it. The Tresoldi’s Basilica of Siponto is an illusory architectu geometries of partially erased architecture, builds a real bridge with the past, proposing *========================================================================================= * Zuzana S. Wagner, Ph.D. *========================================================================================= Title of Contribution: From Prague to Rome: the abstract painting of Josef Istler and Achille Perilli University / Faculty / Institute: Charles University / Faculty of Arts Abstract of the contribution: My contribution is based on my recent article A Journey from Prague to Rome published in t aspects of the book History of Contemporary Czech Poetry (Rome, 1950) written by Angelo Ma Istler organized by Italian painter Achille Perilli (Rome 1927-) in the gallery-bookshop L Teige exhibited in Rome. Among these artists who were present in Italy, Josef Istler (Praha 1919-2000) was only one abstract geometric painting of Perilli and the surrealistic painting tending to Art Inform from the formal and spiritual tradition of the first European avant-garde and they concent autonomy of art. So, it is interesting to compare how Perilli and Istler reacted to the di social backgrounds of two artists in order to better understand the value, spirituality an *========================================================================================= * Mgr. Ing. Markéta Čejková *========================================================================================= Title of Contribution: Kolíbal's Book Illustrations - In Hands of Authority, Influenced by Tradition, Heading to University / Faculty / Institute: Charles University / Faculty of Arts Abstract of the contribution: Stanislav Kolíbal is a man of many talents and original thoughts, his life has been full o art of Kolíbal stems from his intellectual potential as well as creative thinking and expe offer work with new challenges which enriches his original art. My contribution will focus on the part of Kolíbal´s work which, if compared to his sculptu the topic of the conference and briefly outlined in the abstract initial paragraph. Kolíba cover the artistic and technical development of the illustration, the content of the liter specialized magazine Zlatý máj, which was crutial for further work opportunities of the ar Book illustration of Stanislav Kolíbal will be also discussed in relation to book illustra Jiří John, Daisy Mrázková or Adriena Šimotová. Speaking about the illustrations I will ask originality or it might have been a way to find a new inspiration or it might have served Book illustration in the sixties has not yet been researched thouroughly and I hope my dis *========================================================================================= * Kristin Watterott, M. A. *========================================================================================= Title of Contribution: The Surrealist Concept of Automatism – The Relation of Originality, Tradition and Authorit University / Faculty / Institute: University Leipzig / Faculty of History, Arts and Oriental Studies / Institute of Art Hist Abstract of the contribution: ‘A subtle author of drawings with her eyes shut’ is how the surrealist František Dryje des skupina v Československu, which significantly influences her artistic and theoretical work world and modern artistic expression. In the 1970s and 1980s Nádvorníková created drawings that dissolved the boundaries between reflect thoughts, emotions and ideas and tell an imaginative story. In the course of this, the French surrealist André Breton in the first Surrealist manifesto in 1924. The contribution discusses Nádvorníková's automatic drawings as a creative concept between the works will be examined initially. Then, by positioning the results in the (cultural-po perception and the 'authority of the real'. *========================================================================================= * Mgr. Tereza Havelková *========================================================================================= Title of Contribution: The Totality in Art and the experience of World War II - Subjection to Authority or a Jour University / Faculty / Institute: Charles University / Faculty of Arts Abstract of the contribution: The concept of totality arouses primarily antipathy and fear of oppression after the exper give way to totalitarian ideologies. She pointed out that what may seem as an utmost oppos What I am interested in is however not the totality that we know today but it is this conc from which we can examine the complicated relationship between modern art and totalitarian combining visual art, music and theatre, secondly it is the abstraction of reality as a pa I will focus on the concept of “total” theatre performance, which was formulated in 1930s mind and feelings of the audience and exhibition which becomes a ritual space for transfor complexity which is missing, totality that should be found. All of them presented art In i *========================================================================================= * Mgr. Janina Hoth *========================================================================================= Title of Contribution: Originality, Technology and Contemporary Art University / Faculty / Institute: Hong Kong City University / School of Creative Media Abstract of the contribution: The development of art history as an academic discipline was strongly influenced by the id European romanticism. During the Nineteenth and early Twentieth century, most art historia this emphasis in their own works, especially in the 1960s and onwards. By focusing on the or even negates an artistic authority.At the same time, (digital) technologies and new med idea of originality anew. Automatic and generated processes, collaborations with technicia processual and ephemeral, these artworks not only discuss and challenge the idea of origin (or, Algorhithmic art) that artists like Lillian F. Schwartz, Harold Cohen and Frieder Nak While technicians became influential in the aesthetic appearance of artworks, machines and history, in general. *========================================================================================= * Mgr. Barbora Pavliš (Ficková) *========================================================================================= Title of Contribution: Formation of canon : usage of statistical data and the history of exhibitions University / Faculty / Institute: Charles University / Catholic Theological Faculty Abstract of the contribution: The art historians are interested through the last decades in the history of art exhibitio either given by a traditional or original approach, is only part of the success. The motiv vary widely and include a wide range of choices ranging from social and political pressure artist's personality. At the same time, the question is how can the popularity of artists Various databases of exhibitions that are being developed as research projects all over Eu development of art history. It can be very helpful with solving the issues about formating canon, showing the exact numbers of appearance of particular artists. The aim of this pape Czechoslovakia, the attention will be focused mainly on how the political and social trans this context and the issue of quantity vs. quality. It will also point out the disadvantag *========================================================================================= * MgA. et Bc. Oskar Bábek *========================================================================================= Title of Contribution: The discipline of authorial presentation as an emergence of a genre University / Faculty / Institute: Academy of Performing Arts / Theatre Faculty (DAMU), Authorial Creativity Abstract of the contribution: The contribution focuses on a specific discipline of Authorial Presentation taught at the be perceived as a laboratory example of the clash of (oral) history, authority, study requ supervision of a specific audience. The lecturer’s interest concentrates on the dramatic art as the possibility of reflecting qualitative analysis of interviews regarding the Authorial presentation as an example of a In general, each semester each student of KATaP is expected to create a short performance of KATaP usually are able to grasp the principles of the Authorial presentation, it is of most of the performances share. The lecturer believes that influence of certain inner hist