since 2022: Founding member of the forum Collecting Central Europe

since 2020: Palacký University, Faculty of Arts, Department of Art History, senior researcher, leader of the team of Art historians: OA ITI ARTECA: Advanced Physical-Chemical Methods in the Research and Protection of Cultural and Artistic Heritage

since 2017: Researcher at the Institute of Christian Art History, Catholic Theological Faculty, Charles University

2016–2020: Lectures History of Art and Architecture, Czech University of Life Sciences, Faculty of Agrobiology, Food and Natural Resources, Department of Landscape Architecture

2010–2014: Assistant in the department Studia Rudolphina, Institute of Art History, Czech Academy of Sciences, v. v. i.

2010–2014: Postgraduate studies Charles University, Philosophical Faculty, Institute for Art History, Ph.D. thesis: Iconography of Rudolf II, date of defence: 17 June 2014, supervisor: Prof. PhDr. Lubomír Konečný

2007–2008: Semester study at Università degli studi, Facolta di Lettere e Filosofia, Florence

2004–2010: Charles University, Philosophical Faculty, Institute for Art History, Master thesis: Two paintings of Jacopo Vignali from the National Gallery in Prague, supervisor: Prof. PhDr. Lubomír Konečný

DAAD scholarship: Research stays for university teachers and researchers at Stiftung Preußischer Kulturbesitz Berlin, Staatliche Museen zu Berlin Kupferstichkabinett (15 November 2020 – 14 January 2021), research topic: Drawings of Karel Škréta in the Kupferstichkabinett in Berlin

Study course on Theory and Practise of Drawing: Connoisseurship – Collection discourse – Curatorial Practise organized by Albertina and University of Vienna, Institute for Art History (30 July – 3 August 2018)

2020–2022: Palacký University Olomouc: OA ITI ARTECA: Advanced Physical-Chemical Methods

2018–2021: From Kunstkammer to Picture gallery: Collecting in 17th century Bohemia, Project no. PRIMUS/17/HUM/14, co-applicant/principal investigator, grant supported by the Charles University in Prague

2017–2021: Charles University: OPVVV: Improving the quality of education in the UK and its relevance to the needs of the labor market, team member

International workshop Collections in early modern era, Department of Art History, Faculty of Arts, Palacký University in collaboration with Univeristy of Leiden, Humboldt Universität zu Berlin and University of Trnava, Olomouc 13 June – 17 June 2022, contribution: Collection of Adolf Vratislav of Sternberg (1627–1703) and Its Fate

International workshop on Kunstkammer, organised by Central Collecting Europe, 24 May 2022, on-line, contribution: Echoes of Rudolf II’s kunstkammer in Peter Wok’s (1539–1611) residence in Třeboň (Wittingau) – spatial organisation of art collections

Colloquium Ars linearis, contribution: Kresba s námětem Stětí sv. Kateřiny ze sbírky Jiřího Karáska ze Lvovic / Drawing with the subject of the Beheading of St. Catherine from the collection of Jiří Karásek from Lvovice (28 March 2022).

Colloquium Ars linearis, contribution: Saturnové Bartholomea Sprangera a Hendricka Goltzia / The Saturns of Bartholomeus Spranger and Hendrich Goltzius (19 March 2018).

Eliška Zlatohlávková, Jana Zapletalová, Miroslav Kindl, Chefs-d’œuvre of the Sternberg collection: Selected masterpieces from the Častolovice chateau, Journal of the History of Collections, 34, 2022, Vol.2, pp. 233–248, DOI: 10.1093/jhc/fhab036.

Eliška Zlatohlávková, Alcune osservazioni sul recente rinvenimeto di un quadro rappresentante il “Giudizio universale” alla maniera di Hans Rottenhammer, Intrecci d’Arte 10, 2021, pp. 87–98.

Alice Fornasiero, Eliška Zlatohlávková, Miroslav Kindl, From Studiolo to Picture Gallery: Secular Spaces for Collections in the Lands of the Bohemia Crown on the Threshold of Early Modern Era, Prague 2020.

Eliška Zlatohlávková and Alice Fornasiero, The studiolo of Rudolf II at Prague Castle, Journal of the History of Collections XXXII, 2020, No. 2, 2020, pp. 239–244.

Eliška Zlatohlávková, The Influence of the Carraccis on the Drawings of Karel Škréta, in: Magdaléna Nová (ed.), Drawing is the Basis of all Art, Prague 2019, pp. 118–130.

Eliška Zlatohlávková, Saturnové Bartholomea Sprangera a Hendricka Goltzia, in: Alena Volrábová (ed.), Ars linearis VIII, Prague 2018, pp. 37–44, English version: The Saturns of Bartholomeus Spranger and Hendrick Goltzius.

Eliška Zlatohlávková, catalogue entries: František Kupka – Biblioman, Amorfa, Dvoubarevná fuga, Vanoucí modře II, Tryskání II, in: Markéta Ježková, Jitka Šosová et al., Tož to kupte!, exh. cat., Prague 2018, pp. 273, 274, 278.

Eliška Zlatohlávková, Spranger, nebo Goltzius? Přípravné kresby pro grafické cykly, in: Alena Volrábová (ed.), Ars linearis VII, Prague 2017, pp. 4–14, English version: Spranger or Goltzius? Preparatory studies for the cycle of Creation , pp. 120–123.

Eliška Zlatohlávková, cat. entry: Bernardino Lanino, The Birth of Cain, in: Martina Miláčková, ed., The Kroměříž Collection of Drawings: Drawings by Old Masters, Olomouc 2016, pp. 49–52

Eliška Zlatohlávková, Giovanni Contarini, un pittore misterioso alla corte di Rodolfo II, in: Arte documento 32, 2016, pp. 156–163.

Vladimír Lekeš, Agnes Huslein-Arco, Ludmila Lekeš, Eliška Zlatohlávková, František Kupka: Catalogue raisonée des huiles / Catalogue Raisonée of Oil Paintings / Soupis olejomaleb, Praha 2016.

Eliška Zlatohlávková, Lombardská východiska Arcimboldova Autoportrétu, in: Alena Volrábová, ed., Ars linearis VI, Prague 2016, pp. 20–25.

Eliška Zlatohlávková, Kresba Bernardina Lanina ve sbírkách olomouckých arcibiskupů, in: Alena Volrábová, ed., Ars linearis V, Prague 2015, pp. 44–49.

Eliška Zlatohlávková, Oltářní obraz Nové smlouvy v mnichovském kostele sv. Michaela, in: Alena Volrábová, ed., Ars linearis IV, Praha 2014, pp. 36–41.

Eliška Zlatohlávková, Znázornění císaře Rudolfa II. ve výtvarném umění kolem roku 1611, in: P. Beneš, P. Hlaváček, T. Sterneck, eds., Čtrnáct mučedníků pražských. Vpád Pasovských a závěr vlády Rudolfa II., Prague 2014, pp. 128–132.

Eliška Zlatohlávková, Privacy and Propaganda: The Iconography of the Emperor Rudolf II, in: Štěpán Vácha a Lubomír Konečný, eds., Hans von Aachen in Context, Proceedings of the International Conference, Prague 22–25 September 2010, Praha 2012, pp. 237–243.